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Overview

Synopsis

One of George Bernard Shaw’s lesser known works, Candida examines marriage and the relationship between husband and wife in the late Victorian era. It centers around Candida Morell, a beautiful and charming woman who is married to Reverend James Morell, a dedicated Christian socialist. The couple have taken in Eugene Marchbanks, a young, idealistic poet, who Morell found sleeping on the Embankment in London. Candida finds herself the subject of a tug-of-war between the two men as Marchbanks declares his passionate love for Morell’s wife. The crisis reaches its peak when Marchbanks challenges Morell to question Candida’s love for him and the true state of his marriage. Marchbanks believes that Candida deserves his eternal love and devotion, observing that household chores and domestic expectations are far beneath her. Alternatively, Morell believes that his wife needs his care and protection. However, neither man’s expectations of Candida are correct. Ultimately, she declares that she loves and must be with the “weaker of the two”--her husband. Morell is the man that needs her care and protection, who is selfless enough to step down when he believes she may love another, and the man to whom Candida wishes to be “the sum of all loving care”.

Show Information

Category
Play
Age Guidance
Youth (Y)/General Audiences (G)
Number of Acts
3
First Produced
1894
Genres
Drama, Comedy
Settings
Period, Unit/Single Set
Time & Place
london, 1890s
Cast Size
small
Licensor
None/royalty-free
Ideal For
College/University, Mostly Male Cast, Regional Theatre, Includes Adult, Late Teen, Young Adult, Mature Adult Characters, Small Cast

Characters

Character Portrayals

See StageAgent members who have performed roles in Candida.

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Monologues

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Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

Videos

Quizzes

Guide Written By:

Alexandra Appleton

Alexandra Appleton

Writer, editor and theatre researcher