Overview
Synopsis
On the day of her wedding, Eurydice falls victim to a tragic accident that sends her hurtling into a wonderland of an Underworld: ripped from her beloved Orpheus, the greatest musician in the world, Eurydice is reunited with her dead father in the Land of the Dead. Orpheus journeys to retrieve his bride, but Eurydice has begun to discover that the cost of living again can sometimes exceed the cost of staying dead. Full of dark humor, lyrical beauty, and wit, Sarah Ruhl’s Eurydice transforms a traditional myth into a visceral, contemporary meditation on love worth grieving for.
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Context
Eurydice's life in production began with a workshop at Brown University's New Play Festival in 2001; another workshop at the Children's Theatre Company in Minneapolis ran later that year. In 2003, the play premiered at Madison Repertory Theatre, and in 2004, a production at Berkeley Rep followed, directed by long-time Ruhl collaborator Les Waters.
A summary of dramatic events does little to capture Eurydice’s essence, which unfolds through stylized language and images. Ruhl’s
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Note: Despite the division of Eurydice into Movements, the playwright advises that the piece should be performed with no intermission.
First Movement
Two young lovers, Orpheus and Eurydice, frolic on the beach. They discuss music and literature; they are ridiculous with each other in the way that very enamored couples are. Through the whole scene, however, there is a sense that both Orpheus and Eurydice are somewhat trapped in their own thoughts. Since he is a great composer,
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Character Portrayals
See StageAgent members who have performed roles in Eurydice.
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