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Breaking the Code

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Overview

Synopsis

Hugh Whitemore’s biographical play tells the story of Alan Turing, a British mathematician who played a key role in cracking the German Enigma code during World War Two and developed early theories in computer science. However, despite his giant intellect, he was also a man who became trapped by his inability to lie. Moving back and forwards in time, the action is framed around a life-changing police interview in which Turing reports a burglary at his home, only to incriminate himself with the admission that he had been having an affair with the man who robbed him. In an era when homosexuality was against the law, Turing’s admission became his downfall. Sentenced to body-altering hormone therapy, Turing’s reputation is in tatters and his past glory is now perceived as a threat to national security. Caught in a problem that even he cannot solve, Turing ends his life and finally breaks his own code.

Show Information

Based on
Alan Turing: The Enigma by Andrew Hodges
Category
Play
Age Guidance
Thirteen Plus (PG-13)
Number of Acts
2
First Produced
1986
Genres
Drama, Historical/Biographical
Settings
Multiple Settings, Period
Time & Place
England, 1920s-1950s
Cast Size
medium
Ideal For
Community Theatre, College/University, Regional Theatre, Star Vehicle Male, Mostly Male Cast, Includes Adult, Mature Adult, Late Teen, Young Adult Characters, Medium Cast

Characters

Showing 8 of 9 characters

Character Portrayals

See StageAgent members who have performed roles in Breaking the Code.

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Monologues

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Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

Key Terms

    A speech delivered by a character alone on stage, revealing inner thoughts or emotions to the audience. Common in Shakespearean plays.

    A global conflict often explored in theatre through themes of resistance, loss, trauma, and moral complexity.

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Guide Written By:

Alexandra Appleton

Alexandra Appleton

Writer, editor and theatre researcher